What Does Handembellished Archival Pigment Prints on 290gsm Moab Fine Art Paper Mean
Interview with VANTAGE Bespeak
Tuesday, September 1st, 2020
Had the great opportunity to speak with the good folks at Vantagepointradio.com in the showtime one-half of 2020. Spoke freely on my artistic endeavors and how I attempt to manage my outputs. Also had the chance to share some music that inspires me including Yusef Lateef, Narada Michael Walden, Sadistic Candle and The Nonce.
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Streaming on Vantagepointradio.com as well as iTunes, Spotify & Mixcloud.
IsoAzo Print Release with Hashimoto Contemporary
Th, June 11th, 2020
*Prints have sold out
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Progress images of IsoAzo, a set of hand embellished archival pigment prints for the upcoming grouping exhibition 'MULTIPLES' for HASHIMOTO Gimmicky, NYC . Pulled out the vintage @automaticpens for some of the embellishments marks, besides.
Hashimoto Contemporary is pleased to nowadays Multiples, a group exhibition featuring limited-edition HPM (mitt-painted multiples) and prints.
For more than data, additional images, or exclusive content, delight electronic mail Jennifer Rizzo at nyc@hashimotocontemporary.com
twenty JUNE – 11 JULY, 2020
HASHIMOTO Contemporary, NYC
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Custom box set for the KEEPDRAFTING book with Zero+ Publishing
Monday, April 10th, 2017
Book specifications:
Hardcover – Fabric with paper dust jacket
11.25 x 11.25″ (28.575 x 28.575 cm)
164 pages
100 color plates
200 gsm SPCO matte fine art paper
Introduction past Rafael Schacter
Edition of ane,000
ISBN 978-ane-937222-39-0
Release appointment: June 2015
Designed by Pedersen Projects, Claremont, California
Custom constructed HPM wood box:
Technical specifications
Edition: 8 / ii AP
Custom constructed stained box with a HPM acrylic, screen printed†chapeau-12.5 x 12.5 10 3.75 inches (31.75 x 31.75 x 9.525 cm)
Vintage measuring stick (one side of the box)
Contents:
HPM-acrylic, paper and screen impress on woods panel framed with vintage yardsticks-10 x ten 10 1 inches (25.four x 25.4 x two.54 cm)
Signed/numbered volume
………………………………………………………………………………………….
For availability and all inquiries please contact Kirk at info@zeropluspublishing.com
$i,500.00 (please write for availability and selection of box lid)
ArtshareLA Presents: In a higher place THE STREETS 2016
Sabbatum, Oct 22nd, 2016
The 3rd Annual Above the Streets fundraising event benefitting Art Share L.A. will exist held on Th, Oct 27, 2016 6PM – 10:30PM. This twelvemonth nosotros will award the 6th Street Span Project for contributing to the transformation of Downtown Los Angeles. And nosotros have the pleasance of highlighting artist/muralist Augustine Kofie.
Augustine'southward work will be splashed around the City of Los Angeles through unlike outdoor media channels: big billboards, digital billboards, bus demote ads, and more! Using drafting as his inspiration, Augustine's architectural images align with the many new buildings and changes coming to our city.
Each year, Art Share L.A. serves our community of emerging artists and supports them through their artistic journey. Last year we shepherded, 350 artists through our gallery and opportunities programs; hosted iv,500 attendees to various events; held 25 gallery shows; 150 musical performances and 50+ readings and poetry events. Art Share is where y'all come to detect new talent – Fine art Lives Here!
Your sponsorship volition ensure Art Share's ability to continue to support local, emerging artists in their journey of becoming professional artists
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Limited Edition 12x 12, 18x eighteen and 24×24 inch, Moab Entrada 290 GSM, Cottonrag available for local Los Anggeles pick up just. NO Aircraft.
Illustration and handstyle for SACH Essential LP released by HIT+RUN
Wed, February 17th, 2016
[Longtime collaborators HIT+RUN asked me to contribute to this great 'Best of' collection of music by Sach Illpages, a true LA connoisseur, Dj, vanquish-smith, painter and MC in it'south purest form. Photography by Eric Coleman of MOCHILLA, Liner Notes by Carlos Nino and pattern direction by Brandy Flower. The LP and cassettes are available via their Bandcamp and select stores.]
While G-funk dominated hip-hop airwaves through the 1990s, the pulse of cloak-and-dagger rap was maintained at the Good Life Café, an open-mic workshop at the corner of Crenshaw & Exposition in Los Angeles. Afterwards Freestyle Fellowship became the kickoff Good Life group to invade the national consciousness in 1991, a young duo chosen THE NONCE were their heirs apparent, seemingly primed for a breakthrough. Composed of Leimert Park natives Lance 'Nouka Basetype / Sach' Caldwell and Yusef 'Afloat'Muhammad, The Nonce had already been rapping and recording together for years prior to arriving at Good Life. The Nonce signed to Wild Westward Records / American and completed a tape called 'World Ultimate' in 1995.
An early single called "Mix Tapes" emerged from the 'World Ultimate' sessions. With its dumbo percussion, rolling bass, spare horn samples and deft turntable scratches, information technology'southward allegorical of the sound that would pervade the classic album. The song charts Sach and Yusef'due south growth from mixtape peddlers to artists. It also became The Nonce'southward stepping stone to a major label contract and a bonafide west coast classic. While oft likened to A Tribe Called Quest's concurrent records, 'World Ultimate' moves at a lower frequency than whatever Tribe album, achieving the considered smoothness of the best mid-'90s California rap.
After 'Globe Ultimate', Sach and Yusef intended to push their musical boundaries fifty-fifty further. In 1998, Sach formulated an aggressive project called 'Seven Days to Engineer,' in which he'd conceive, produce and record an entire album in a week. The vocal, "Wait At Me Mean," has a murky, uneasy vibe miles removed from 'Globe Ultimate'due south happy-get-lucky sound. For Yusef Afloat, the journey ended at historic period 28. In 2000 his torso was institute beside the 110-Freeway. Any the crusade of death, "It was devastating to me, and it affected me in a lot of different ways," Sach says. "It made me disavow the manufacture. I still wanted to make music, but I didn't know how to proceed."
Sach disappeared for a while but emerged in 2002 with 'Suckas Hate Me,' and in 2004 recorded his third solo album 'Sach 5th Ave' with producer Omid. In the years since Sach has maintained a prolific solo career, self-releasing nearly a dozen projects ranging from LPs to collaborations and instrumental tapes. As Sach Ill Pages and with Name Science (with Ino Oner), he's pursued a more abstract lyricism and leans more heavily on jazz instrumentals than he did with The Nonce, but he'south the same rapper.
Fast forrard to 2016 and the forthcoming release of 'ESSENTIAL [HNR57] a remastered twelve-rail "Best of" SACH compilation anthology, serving as a re-introduction of Sach to a new generation of hip-hop lovers, producers, beat makers & emcees. This extraordinary musical document comes complete with comprehend artwork courtesy of Augustine Kofie, the legendary photography of Eric Coleman, plus illustrative and informative liner notes by luminary Carlos Nino, and is available on express-edition 12″ tangerine colored vinyl, (simply 300qty pressed in collaboration with Fat Beats), plus Cassette record (includes ii non-LP bonus tracks "Heavenly Spit" & "Robot on Ya").
Publication: Go on DRAFTING Monograph with ZERO+ Publishing
Tuesday, Feb 16th, 2016
Zero+ Publishing
KOFIE Proceed DRAFTING
Published by Nothing+ Publishing
Introduction by Rafael Schacter
160 pages, 11 one/4″ 10 11 1/4″
120 Illustrations, English
100 colour plates, 200 gsm SPCO matte art paper
H ardcover – Cloth with paper grit jacket
Release date: June 2015
Edition of 1,000
Designed past Pedersen Projects, Claremont, California
ISBN: 9781937222390
Go on Drafting traces the fascinating trajectory of Augustine Kofie's piece of work, from his early figurative pieces to his more recent forays into geometric forms and brainchild using collage and found images. Sketches, initial drawings and a grouping of paintings on clipboards give a strong sense of not but the working procedure of this incredible artist, simply assist document how he achieves such enduring finished paintings. KOFIE's groundwork growing up equally a graffiti writer in Los Angeles in the 1990s has further informed his amazing outdoor murals, including a featured signature piece from Mexico City. Augustine has exhibited his piece of work in Milan, Los Angeles, San Francisco, Paris, Tokyo, Cape Boondocks, Miami, Glasgow, London, Vancouver, Berlin, Basel, Melbourne and beyond.-GINKO Press
Bachelor at:
1XRUN
ZERO +
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Custom Box Set for KEEPDRAFTING Book with Zero Publishing
Monday, February 1st, 2016
KOFIE: KEEP DRAFTING—DELUXE EDITION
Technical specifications:
- Edition: x
- Custom constructed stained box with a unique acrylic / screen printed chapeau—12.5 x 12.5 10 iii.75 inches (31.75 x 31.75 10 9.525 cm)
Contents:
- Original acrylic, paper and screen print on wood console framed with vintage yardsticks—10 ten 10 x 1 inches (25.4 x 25.4 x 2.54 cm)
- Signed/numbered book
$1500.00 Write to info@zeropluspublishing.com for availability
Publication: LE PETIT VOYEUR feature
Monday, August 11th, 2014
LE PETIT VOYEUR is an independent magazine released bianually by curator, designer and publisher Kristian Rosėn out of Denmark.
LE PETIT VOYEUR – Upshot 02
Visual Arts, 24×34 cm, 273 pages incl. cover and special Ian Kuali'i cutting out insert, 33 artists from around the globe. Sold in a limited and numbered edition of m copies – all individually numbered on the embrace.
Start printed in Denmark on Igepa Avanta Card 280g/m2 (comprehend) and Arctic Volume White 130g/m2 (content). Embossed logo on the cover.
Featuring the works of:
Alexis Diaz, Ashley Oubré, Augustine Kofie, BATES, Boris Tellegen – DELTA, Bryan Liston, Cameron Davis, Caroline Mackintosh, Claudio Oliverio, CMP One, CPHCPH, Erik Jones, Erin Elizabeth Kelly, Hélio Bray, Ian Kuali'i, Joel Daniel Phillips, Jouk Oosterhof, Juan Francisco Casas, KACAO77, Kasper Eistrup, Kevin Cyr, Kevin Peterson, Mairi-Luise Tabbakh, Michael Johansson, Miko Lim, MODE ii, Rasmus Weng Karlsen, ROA, Rob Timko, Scien & Klor, SOBEKCIS, Tristan Eaton & Tyler Shields.
Bachelor Here
Publication: Feature in VNA Magazine Issue 26
Thursday, June 26th, 2014
[Very please to have a feature article in Issue 26 of VNA mag. Alibi their typos, tho.]
In VNA 26 we've managed to cram in large-scale muralists, fine art, graff writers who've transitioned to galleries, abstract art and even some skateboarding. From London and California, to New York and Penang by way of Bristol, we've scoured the world to bring you lot a mix of awesome artists we've just discovered alongside some of our old favourites who haven't nonetheless had their time to shine in VNA.
This issue, our cover feature is a chip of a personal hero of ours, Robert Del Naja, a character from the fine art world perhaps better known past his musical moniker; Massive Attack's 3D.
3D's brooding, politically motivated work stems from early punk anthology-fine art influences. Always i to cadet social trends, he cut his own path and his own stencils, unwittingly sparking involvement in a trend that surged from the states, leaping the Atlantic and taking the Uk past storm.
Subsequently our inaugural visit to Pow! Wow! Hawaii, we made the most of our contacts there, staying in touch on with Augustine Kofie, we also went dorsum to dig in the crates with Vitrify Monster. Nosotros've pulled out the stops to bring you some gallery talk with Jonathan LeVine, every bit well every bit crossing over to Australia to catch up with James Jirat Patradoon and Numskull.
We also feature 10101010101010101010, or Ten Ten for brusk, the mystical eastern styles of Calma, London-based print wizard, Aida, and Us-creative person, Greg Lamarche, as well every bit Lithuanian street painter, Ernest Zacharevic and abstruse Icelandic marker-maker, Katrin Fridriks.
Photo features focus on London, Singapore and Los Angeles, with contributions from NoLionsInEngland, Claude Crommelin, Mark Rigney, Chasing Ghosts and Birdman.
With cover shots from the talented photographer James Sharrock, nosotros're stepping upwards our game all round with this issue.
Artworks for Bläp Dëli x Businesslike Theory x Goldie Records 12″, WHISPËR.MË
Sunday, June 1st, 2014
Illustrations for the Bläp Dëli xPragmatic Theory x Goldie Records 12″ LP 'WHISPËR.MË'.
Released internationally June 1s, 2014. AVAILABLE Here.
Near The Release
With the ancestry of Britain based label Pragmatic Theory inspired past interactions & admiration of the talent found within an underground music community, happening upon Bläp Dëli's folio, nosotros unanimously felt we had stumbled beyond someone special. Immediately reaching out, talks of releasing both his outset LP vinyl & Pragmatic Theory's, went underway. In capturing the musical essence of the finished album, its cover art was an integral representation of the project every bit a whole & we had the pleasance and fortune to be able to work with the extremely talented LA artist Augustine Kofie to fulfill that aim. Spanning a wide range of genres & styles that align with the vision of both the artist Bläp Dëli & label Pragmatic Theory alongside the perfect visual mural Kofie has created, we welcome you to bring together us in this journey a yr in the making of which we hold close to our hearts. Please bask Bläp Dëli's 'Whispër.Më'.
Bläp Dëli 'Whispër.Më' LTD Edition Vinyl is bachelor from our Website, Bandacmp folio & as of the 2nd calendar week of June HHV, Jetset Japan & various Worldwide independent record stores. 'Whispër.Më' will too be available digitally through i-Tunes, Amazon, Juno, Spotify & diverse online digital music sites in the coming days & weeks.
Well-nigh The Artist
California beatmaker and Goldie Records founder Bläp Dël i [Emmet Kai] began his venture into electronic music in late 2011. With years as an instrumentalist in diverse punk/metal bands, transition into making his own music came easy leading to an creative person and musician group in 2012: The Sandbox Commonage, a San Francisco and Sonoma County based label. With all of Bläp Dëli's projects released independently, the collaboration with P ragmatic Theory Records and focus on his current label Goldie Records made born to his his first 12″ LP "Whisper.Me" (June 2014). Currently residing in Healdsburg and Santa Rosa area, Bläp continues to brand music and play in bands.
Nigh The Fine art
Nosotros feel truly blest to be working with Los Angeles based street artist Augustine Kofie, whom has established himself within the local West LA graffiti scene since the mid 1990s & has then been manifesting a coalescence of artistic & structural aesthetic internationally. Having had no formal Art groundwork past high schoolhouse, Kofie's natural inclination to experimentation of drawing was expressed when he was younger by use of the materials & supply bachelor around his dwelling house by his female parent, whom studied Fine Arts at UCLA. Further developing his skills through the type of experience gained as a veteran graffiti artist, his abilities, perspective, and approach of personal visual expression was further strengthened and veered toward merging simple shapes & linear lines on a structural form skillfully approached to become his canvas.
Along with his visual creations, Kofie has too been exploring with music from back in 1995 tying in another connection of providing the comprehend art of Pragmatic Theory's first vinyl to beatmaker Bläp Dëli, who likewise resides in the California.
Nigh The Label
United kingdom of great britain and northern ireland based label Pragmatic Theory began as a move for the honey & appreciation of music & inspiration from the talent establish within the SoundCloud community. In 2012 marked the first compilation being a Curtis Mayfield tribute released as both an album (mcs/beatmakers) and a beat tape. Not long subsequently, the Pragmatic Theory bandcamp platform connected to release alternating compilations to support both underground scenes that shared the same honey for music likewise as contained creative person releases. Standing to be blessed with many talented artists/beatmakers as well as a loyal fan base, growth of the characterization opened up some other opportunity to venture into vinyl & physical releases. Today the ethos of the collective & label remains the same, to provide a platform to promote underground artists & share with listeners new & innovative music. All for the love of music & the trounce civilization.
Publication: Embrace analogy for "My Los Angeles" past Edward W. Soja
Lord's day, April 20th, 2014
Was an honor to contribute artwork for a recent publication from Professor and authorEdward W. Soja,My Los Angeles: From Urban Restructuring to Regional Urbanization. Many thanks to contributorStefano Bloch for the recommendation.
On the Author and the book:
Edward W. Soja is Distinguished Professor Emeritus of Urban Planning at Academy of California, Los Angeles. He is the author of Postmetropolis: Disquisitional Studies of Cities and Regions and the co-editor of The Metropolis: Los Angeles and Urban Theory at the End of the Twentieth Century among other books.
At once informative and entertaining, inspiring and challenging, My Los Angeles provides a deep understanding of urban evolution and change over the past forty years in Los Angeles and other city regions of the earth. One time the least dense American metropolis, Los Angeles is now the country'southward densest urbanized area and 1 of the nigh culturally heterogeneous cities in the world. Soja takes us through this urban metamorphosis, analyzing urban restructuring, deindustrialization and reindustrialization, the globalization of capital and labor, and the formation of an information-intensive New Economy. By examining his own evolving interpretations of Los Angeles and the debates on the so-called Los Angeles School of urban studies, Soja argues that a radical shift is taking place in the nature of the urbanization process, from the familiar metropolitan model to regional urbanization. By looking at such concepts equally new regionalism, the spatial turn, the end of the urban center era, the urbanization of suburbia, the global spread of industrial urbanism, and the transformative urban-industrialization of Red china, Soja offers a unique and remarkable perspective on critical urban and regional studies.
Available for purchace at UC Press
Interview: A Q&A with Herman Miller & All Metropolis Canvas, Mexico
Saturday, February 8th, 2014
Painting the Town
During my December 2013 residency and landscape intervention project with All City Sail in Mexico City I sat down with Amber Bravo Of Herman Miller to discuss how the mural project came about equally well as my mindset going into such a project.
I can't thank Touch HUB, ACC and Herman Miller Mexico plenty for the support and opportunity.
"Kofie'southward work is a disharmonism between really old and new technology and innovation. And looking at where we're painting—we're in a turn-of-the-century neighborhood, but we're doing a project which talks about innovation and moving forward, nosotros similar how he gets inspired from architecture, schematics, and from machines." – Gonzalo Alvarez
Interview: Illegal Team Issue #77
Sat, Feb 1st, 2014
I have a featured interview translated in both spaish and english in the electric current upshot of the graffiti culture digital magIllegal Team .
Interview: Baroque Beyond Belief Issue #11
Thursday, January 30th, 2014
I accept a featured interview in the arts and culture digital mag Bizarre Beyond Belief issue #eleven . Very humbled to make the cover besides, Cheers BBB!
With some other 100+ folio upshot, this lengthy new edition of BBB is an artistic gold mine. With a broad range of visuals such as Zeus40 of Wildboys , XRay , ANSER: Mysterious Date , Dick Cherry , Mikael B/KetsOne , an editorial on the graffiti Mecca "v Pointz" in NYC, AGENS ABM Crew , Trevor Wheatley 's NIKE Project and Augustine Kofie , this issue is sure to be an instant classic.
Interview: The Earth Atlas of Street Art & Graffiti Art feature
Tuesday, October 1st, 2013
I am very proud to be part of this publication offering a stunning survey of Street Fine art and Graffiti from across the Globe. To exist one of five artists representing Los Angels is pretty Important to me. Many thanks to Rafael Schacter for including me in such a well curated, written and comprehensive text on contemporary independent public arts.
The World Atlas of Street Art & Graffiti Art
Rafael Schacter; Foreword by John Fekner
400 p., 9 x 9 1/two
700 color illus.
Yale Press (Usa), Aurum (UK) & University of New South Wales (Australia).
ISBN: 9780300199420
Rafael Schacter is honorary enquiry fellow at the Section of Anthropology at Academy College, London. John Fekner is a street and multimedia creative person.
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Available through Yale Press
Bachelor on Amazon
Billboard for Art Share LA. Photos by Todd Mazer
Monday, March 11th, 2013
#ARTSHARE LA
The 7th Letter
Known Gallery
Billboard is located south of Santa Monica Blvd. on Vermont in E Hollywood nigh Los Angeles City College.
Photo: Todd Mazer
Ed Fuentes at KCET explains more on the projection HERE
Montana Colors Limited Edition Spraycan design
Lord's day, January 20th, 2013
MTN Colors recently released 5 new limited edition spray cans featuring Belin, Mistery, How & Nosm, Roid MSK and myself. As e'er they they are presented in an individually designed wooden box, stamped with the artists personal seal. Limited to only 500 units in full.
My tin is bachelor here for buy.
Interview: The Qualities Of Light: Augustine Kofie
Mon, December 24th, 2012
I must say, subsequently a number of years giving it up to cameras for interviews an the like, this is by far my virtually cherished contribution to a dr. slice to appointment. Yep, I did accept some say in the style for the film and a bit of direction and I'1000 sure that's helping the sway of my judgement, but the guys went somewhere else with information technology and I'm happy for that.
Music by Teebs & 4x4tracktor. 
Interview: GRAFFITI Art Issue #xvi Characteristic 'Chaos Sous Contrôle'
Wednesday, August 22nd, 2012
Creative person Feature
Graffiti Art mag
Publié le 22 août 2012
Im very proud to be a featured artist in the 16th outcome of French publication Graffitit Fine art Magazine . I believe my issue can be ordered hither on their websight . Some of this issues pages can be viewed here.
This issue of 'Graffiti Art' will follow you nether the dominicus and will make yous run into the earth through rose-coloured spectacles. From the flashy-coloured artworks fabricated in LA by Rime to the origami-type installations of immature German creative person Clemens Behr, nosotros are taking yous on a journeying from the US West Declension to São Paulo with stopovers in New York and Barcelona. And if you haven't planned your summer nonetheless, it's however time to look upwardly our special Mural Art dossier to concoct tailor-fabricated thematic holidays. The visual odyssey will go on with American Augustine Kofie who immerses the viewer in his intersidereal universe full of lines and curves while young Frenchman Yaze unveils his latest canvases mixing pigment and embroidery, earlier leaving for a residence in New York. And finally, because it'south been scientifically proven that reading under the parasol is proficient for your brain, we advise y'all to open your eyes on some heroes from the by, present and hereafter: Gérard Zlotykamien and Tania Mouraud. And as if all this wasn't enough, Graffiti Art'southward formula is changing and becoming more ambitious and punchy than ever before.
A.Kofie illustrated by El Mac, 2010
Th, July 19th, 2012
Illustration by El Mac [ June, 2010]
Ink on paper
Mac and I had merely spent a little less and so a week in Basel, Switzerland for Art basel 2010 doing a piddling live painting with LA Art Machine . At this signal nosotros were on our grind to Berlin where I had a alive painting projection curated by the illustrious Jaybo Monk for the Project Room . During the travel up by train Mac and I were both doing our usual, sketching during travel. To my delight I became one of his subjects, hence the illustration above. Not many have seen his raw sketchbook illustrations of figures, many of which include sleeping travelers. I'm blest to exist familiar with such artistic peoples.
Publication: LE GUIDE DE L'Art CONTEMPORAIN URBAIN 2012
Monday, April 30th, 2012
LE GUIDE DE L'Art CONTEMPORAIN URBAIN 2012
LE PREMIER HORS-SÉRIE DE GRAFFITI ART MAGAZINE
+100 ARTISTES / 212 PAGES / 400 ILLUSTRATIONS
Most recently I was included in the the French urban contemporary art publication 'Graffiti Fine art' magazine's
LE GUIDE DE L'Art CONTEMPORAIN URBAIN 2012. The b eautiful 300 page event brings together a selection of more than a hundred artists from both Street and Graffiti arts of today who had an important identify on the art market in 2011. The guide is directed to the fine art lovers and the curious. A catalogue to larn all about this important move of the 20-offset century.
Many thanks to Sophie & Samantha of Graffiti Art magazine for the support!
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More than information and purchase can be establish here.
Graffitiartmagazine
Commercial piece of work: G4'south Attack Of The Prove
Friday, February 11th, 2011
Client: G4 Goggle box/ Time Warner
Projection: G4'sAssail of the Show Add Campaign properties
Location: Los Angeles
Medium: Latex paint, acrylic & spray paint on 8 x eight human foot wood console
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In the Fall of 2010 I was commissioned by the blueprint crew at G4 Goggle box to produce an original properties for an add campaign to promote the upcoming season of the viral video and gadget heavy G4's Attack Of the Show. The final design incorporated my looser manner and interwove iconic electronic gadgets and media related to the shows subject field matter. I felt in that location was a great fit here + I wanted to make sure my work was organic and loose enough to non look then 'digitally printed' every bit a backdrop.
The Street entrada consisted of full size billboards as well as train and bus adds from January to March of 2011.
One of the highlights of this project was that the final piece is publicly on brandish in the principal lobby of the Eastward Entertainment Edifice on Wilshire where they film Attack Of The Show.
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Interview: Feature story in Juxtapoz Consequence #117
Mon, October 18th, 2010
JUXTAPOZ Art & Culture Magazine
Issue #117
A true highlight in my art career is this Jux interview for the October 2010 Issue of the famed art & culture magazine. El Mac provided the questions & UK based artist Pete Stern the contour photograph.
Illustration: Julien Wari Hobobo AKA VibezOne Residual In Peace
Monday, March 29th, 2010
Wari and I shared many common friends. I can't claim to be in this top tier of peoples, but we e'er chopped it up deep about beats and music samples when we happened into each other in the Mid city districts of Los Angeles. Wari was a meticulous beat maker and sample connoisseur. It took him a infinitesimal to warm up to me, but he finally permit me listen to some tracks one time in a while.
Taken much to early, he will be missed by many underground Angelinos.
Illustration: The Gaslamp Killer
Thursday, March 26th, 2009
Revisited Coltrane Painting for Flight Lotus
Mon, March 23rd, 2009
Dublab.com Positive Projection Proton Bulldoze Art
Sunday, November 2nd, 2008
Client:Dublab.com
Project: Dublab Positive Projection Proton Drive Identity
Jeff Madrid of TRSRHNT & I recently completed the artwork forThe Dublab Positive Projection Proton Drive. We went back and 4th digging on various images and text as well as a set of original watercolors to produce a torso of work with positive & inspirational value.
We as well produced over 300 f 1-off screen printed 'Positive Projection' postcards and a 2009 Calender featuring artwok form diverse artists.
DUMBO Incense ten KOFIE
Sunday, June eighth, 2008
Hand painter trucker cap for El-P
Fri, May 16th, 2008
Spring, 2002
When El-P was in Los Angeles promoting his now-classic solo debut album,Fantastic Harm, I was in the middle of a customizing trucker cap session.
Making one for El made sense since that was a Def Jux manner staple in the early on 2000's. During his in-store set at Amoeba Records in Hollywood I passed along the custom cap. He seemed humbled and in that moment a seed germinated.
The following night at the El Rey Theatre on Wilshire, that seed flowered equally El-P halted his performance iii/iv of the way through to grab said cap, set it on his dome like a crown, gave a shout-out to yours truly (and the balance of the auspicious Los Angeles crowd) then proceeded to rip through the last quarter of the show.
I was not personally looking for anything in return for my activeness, just a fan wishing to share my work, and so that act as way more than I expected. Many cheers and much respect to El and his fellow Def Jukies .
Illustration: Scion Presents: Connie Cost & The Keystones VS BDK 12″
Monday, January 1st, 2007
Watercolor Illustration on paper
Layout by Jeff Madrid of TRSR|HNT
2007
Producer, author, arranger & guitarist Dan Ubick ofConnie Price & The Keystones/The Lions Commissioned me to rock the layout for this Scion Promotional release featuring Big Daddy Kane and Percee P.
TRSR|HNT on the layout, text and fine tuning.
Commercial Work: Target; Revolution Brusk film past Tronic
Saturday, December 30th, 2006
Commercial Work: Talib Kweli's 'Listen' Video/ Illustrations and performance
Monday, May 1st, 2006
Original linear and portrait Illustrations & Alive Painting.
Commissioned by Syndrome Studio
2006 .
Illustration: Labwaste 12″
Sunday, April 3rd, 2005
Illustrationsused for the Labwaste 12″ [2005]
Released on One Cell Records.
This is the second release from the Zwarte Achtegrod album. A 12″ with 8 remixes. When Giovani (Subtitle) outset showed interest in me adding a lil something to the album I was excited. I smashed out about 4 portrait illustrations of them based on Eric Coleman's photos & just gave Sub xerox copies. I had conviction in his design sense of taste & gave him free range of usage, pro bono. Information technology was a treat to encounter what they did with them. Both Subtitle & Thavius Beck are so naturally talented & work very well together professionally and personally. It's e'er an honor to provide my services to those cats.
Japan 2004: Stussy & Frank 151 party in Dakianyama, Tokyo
Sunday, Dec fifth, 2004
Double booked tonight. First off, live art @ the Back Channel Shop. The Piece was auctioned off the a lucky ticket holder.
Adjacent was the Stussy & ALIFE party for the Frank 151's Wu-tang event @ Club Unit. PaintedOl Dirty Bastard in a room between the stage & the entrance for the event. This social club was super packed and the crew at Stussy took really good care of me. At 1 point U-God fabricated it through, approved of the slice and sign the corner.
Wu-Tang forever.
lindquistdausitherer1995.blogspot.com
Source: http://keepdrafting.com/?cat=15
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